Wednesday, August 28, 2013
Review of The Sisters Brothers by Patrick deWitt (Anansi, 2011)
The Sister Brothers reads like a Greek tragedy transported to the lawless, pioneer territories of west coast America in 1851. Eli and Charlie Sisters set off on a rites of passage trek in order to fulfil their quest to murder a prospector at the behest of their boss, the Commodore. As they journey south they drink, steal, kill, meet a diverse set of characters, become tangled in a set of odd situations, and bicker. Both brothers have known little other than the murderous trade they peddle, but Eli has taken to imagining another kind of life, aided by their journey. deWitt tells the brother's story in a dead pan, melancholic voice that does not romanticize or glamorize the pioneer west and has a nice sense of place and time. The plot unfolds a steady pace, providing a detailed character study of the brothers and the gradual transformation of their relationship. Both brothers are savage characters, yet by adding a smidgeon of emerging compassion and self-reflection to Eli, deWitt provides a connection through which the reader can empathise with them. Nevertheless, it took me a while to get into the story, which matures as it progresses. It was only in the last fifth of the tale, however, that the arc of the plot all dropped into place to become more than the sum of its parts. As such, the story had much greater resonance on completion than when I was reading it, and the more I reflect on it, the more satisfied I am with the tale. Overall, an enjoyable, thought-provoking read.